ORISA is a movie upholding true Yoruba values
Most men in Yorubaland won't understand the significance of a mother and wife in the life of a strong man until they lose both. Many names in Afrobeats, Fuji, and other genres struggle with their fame once they lose both. "ORISA" is a movie we haven't seen in the Yoruba movie industry in two decades. For everyone who values Yoruba culture and its values, this movie is a must-watch to appreciate something we haven't seen in a long time. Join me in reviewing this movie about Yoruba culture, which was portrayed so well until 1 hour and 40 minutes, where Komokomo was able to use one shot to kill more than 10 people at once. But I love how they relate Orisa to pride because, in Yorubaland, we believe pride is vanity
At 29 minutes and 19 seconds, Arowosafe and Arowolana embody the typical behaviour of Yoruba men. At 30 minutes, it's evident that it's every man for himself or herself, reminiscent of the Dahomey fights in the stories our grandparents shared about Yoruba wars before colonization. The outfit at 38 minutes worn by Komokomo was classic. However, the scene at 40 minutes still needs improvement. The phrase "village people" is often misunderstood, and reflects common misconceptions about our culture when people from the Southwest use it.
The gathering of many Yoruba actors and actresses speaks volumes about growth in the Yoruba movie industry. However, the chemistry between the first lady and Oba Adefolarin and her role could be improved.
At 54 minutes, it's evident that many women today lack the courage to sacrifice their lives for their partners, and it's understandable. The scene at the one-hour mark sheds light on the challenges faced by chieftain titleholders in the past. The secret between the King, Balogun, and Komokomo remains unknown, but the movie brilliantly clarifies it at 1 hour and 14 minutes, connecting it to Kokumo with the emphasized title "Orisa." Despite Oba Adefolarin not being worthy of ruling based on these principles from the beginning of the story, the narrative unfolds compellingly.
At 1 hour and 21 minutes, there's much to relate to in this movie regarding the present state of the Yoruba race. The scene sheds light on the present politics in Nigeria, but it's crucial not to quote me on this, it's just fiction. Komokomo crossed the line when demanding the throne, as seen at 1 hour and 26 minutes. The revelation of the second Olori's true colours was shocking, reminding us to always respect women a common phrase in Yorubaland, often misused by Gen Z. The moment between Olateju and Adefolarin was profound, and the portrayal of the third eye was impeccably executed. The movie adeptly captures an aspect of Yoruba culture: someone somewhere always knows your story, and when the time comes, they'll share it, no matter how well you hide it. Komokomo's real name was Okanlawon.
Overall, I'd rate the movie 8.5 out of 10, though some scenes could have been executed better
